Marshall W Mason Interview - PART V
Erma: So what's most important, what was interesting for me, not knowing this and having read other things, I didn't realize how inviting...
Erma: So what's most important, what was interesting for me, not knowing this and having read other things, I didn't realize how inviting...
Erma: Edward Albee wasn't a part of the Cino? Marshall: Albee came. Erma: He came. He wasn't produced there. Marshall: No, no, he wasn't...
I was fortunate enough to direct Lynn in Circle’s All Day Sucker. “When I’m not working, I’m in class. I believe in that. Those things...
Erma: So you had actors in Bob’s play who would soon become famous writers themselves, with a poster by the brilliant writer, Lanford...
Erma: Didn’t you direct Lanford’s “Balm in Gilead” at La Mama? Marshall: At La Mama, once I started doing shows at La Mama with the big...
Introduction Erma: This was written by you, Marshall W. Mason (The Transcendent Years: The Story of a Theater - Circle Rep) "I found a...
THE PRIMARY STAGES OFF-BROADWAY ORAL HISTORY PROJECT CELEBRATING THE VISIONARIES WHO CREATED NEW YORK'S VIBRANT OFF- AND OFF-OFF-BROADWAY...
I have always been aware, even as a child, that all we are, all we can be, is a culmination of those who came before. Those who sparked...
Interviews with theater artists from community, regional, professional and Broadway backgrounds.
Thank you to the consummate artist, Casey Childs, for so graciously allowing me to share the primary stages off-broadway oral history...
Erma Duricko SDC